I called my dad in New York, who happened later to see Abe Schneider [president of Columbia Pictures]. He sent word back to me through my dad that I should send the film to Columbia in London, where Charlie Schneer was based; maybe they’d buy it or something. A couple weeks later,
Titleist 915 D2 Driver, I hear from Bill Graff,
Taylormade R15 Black Driver, second man to Mike Frankovich [then Columbia’s head of European production], and Bill said,
Titleist AP2 714 Irons , ‘Charlie Schneer is looking for an assistant; why don’t you go over to talk to him?’ It was 13 Wigmore Street, I remember clearly.